I take for granted and and enjoy the constant motion and chaos of travel. For the last 18 years I have moved every two years and lived outside the United States for 14 of those years. Even when based in one location for a while, I use it as a launching pad to go on trips to other places. For example when I lived in Pakistan for a few years, I traveled to Nepal, India, Thailand, Afghanistan, United Arab Emirates, Kenya, Peru, Ecuador, Galapagos, France, Italy, Spain, Germany, Austria, Luxemburg, Switzerland, and England. Packing and unpacking has become the norm for me.
I was at PDN Photo Plus in New York this year and had someone ask me how I packed for trips. Some people were “surprised” that I carry “fancy” camera equipment to inhospitable places. I realized packing had become second nature and that I give it little or no thought. I had become numb to many people’s greatest concern of “What do I pack?” I took a step back and realized that I have developed an unwritten formula for my traveling.
I decided to look at how different friends and photographers pack for their trips. Joey Lawrence (better known as JoeyL) and I met up with close friend and conflict photographer Guy Calaf to help him pack for a two month photo assignment in Ethiopia. JoeyL has also taken multiple trips to Ethiopia and recently had a documentary filmed about his most recent trip into Ethiopia called “Faces of a Vanishing World.” Between the three of us we have over six years combined time in Ethiopia, and Guy and I have over three years in Afghanistan. Both Guy and JoeyL are going to be shooting unrelated photo projects in Ethiopia in November/December. I wanted introduce Joey and Guy in New York so they could keep in touch while in Ethiopia.
We joked that the older we get the more equipment we take with us and the more dependent we are on roller bags. Guy and I both have started to shoot HD video in addition to our still photography projects. The addition of video has doubled, if not tripled, the weight of what we carry. The ability to take one camera body and one lens into the field is one thing I love about photography. On Joey’s first trip to Ethiopia, he packed only a PhaseOne 645 camera, a PocketWizard and a single Profoto 7B studio strobe. Unlike still photography, I learned quickly that you can’t consistently shoot great HDDSLR video with the SLR camera alone. The addition of external audio, shotgun mics, rails, follow focus, tripods, fluid heads, all stacked around your Canon 1D Mark IV, or 5D Mark II, make the once nimble devices look like a family’s station wagon on the way to Walley World. But damn, the Canon 5D Mark II can take some amazing video footage!
I think the romance of a photojournalist dashing in and out of Landcruisers in the Middle East is rapidly getting replaced by full film crews with cases of gear to stream live multi media events to you. If you are working on a commercial film production or television advertisement, then you carry even more gear with you. I was recently out with my friend Vincent Laforet while she shot a TV commercial in New York. His most recent assignment has him traveling from New York to Barcelona to Shanghai. When on a commercial assignment, you need quality and redundancy. My motto is “Two is one and one is none”. For Vincent’s travels he is taking over 800 punds of kit with him! Thats 22 Pelican and Kata cases that his assistant Marcus (Good Dude), has to drag in and out of each airport. If you are going big, then make sure you have an inventory list. I recommend keeping a list of all gear broke down by case. Before backing each case, ensure all items are present and accounted for. Before you leave a location count your cases to make sure you have them all.
F9photo is the founder of ProPic ProPic, A Photographer, Serial Entrepreneur, Programmer, Innovator, Filmmaker, Foodie, Polymath with Extreme Wanderlust